MY OLD LADY (Israel Horowitz 2014)
 Squabbling in Paris over the past, and French real estate
STILL LIFE (Uberto Pasolini 2013)
BLACKHAT (Michael Mann 2015)
  Mann's gorgeous new cyber-crime thriller is not for haters
LILTING (Hong Khaou 2014)
 Communication gaps
STILL ALICE (Richard Glatzer, Wash Westmoreland 2014)
Impeccable is not unimpeachable
HUMAN CAPITAL (Paolo Virzì 2014)
Class crashIl capitale umano, from Stephen Amidon's 2004 novel set in Connecticut, is transferred to industrialist northern Italy in Carlo Virzì's new film about scandal and greed.
LIFE PARTNERS (Susanna Fogel 2014)
 Girls growing up
VALLEY OF SAINTS (Musa Syeed 2012, 2015)
  A halcyon bubble that's not, quite
SELMA (Ava DuVernay (2014)
A flawed, moving, muted epic about civil rights, Alabama, 1965Tremendously ambitious and yet in some ways modest and understated, Ava du
BIG EYES (Tim Burton 2014)
  Not macabre, just yucky 
INHERENT VICE (Paul Thomas Anderson 2014)
 Thomas Pychon's stoner SoCal private eye novel gets a worthy if perhaps too-faithful adaptor in P.T. Anderson
STARRED UP (David Mackenzie 2014)
  Rough father-son bonding in an English prison: a breakthrough for director and star
UNBROKEN (Angelina Jolie 2014)
  Hit me over the head again, please
L'IL QUINQUIN (Bruno Dumont 2014)
 Dumont's miniseries is a metaphysical comedy with sweetness and horror
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